“The main reason Green Frame was developed was for karakuri applications,” notes Greissinger. “Some customers new to karakuri bite off more than they can chew at the start. To overcome the learning curve, they need to be hands-on with the system and not be afraid to experiment.”
I would have liked to see a little about the history of threaded fasteners – they were once incredibly rare because we hadn’t developed ways to make them in quantity. I’m, of course, meaning after the relative ubiquity of metallurgy but before the screw became what it is today.
The most recent campaign to centre on Mr Jinnah was The Dawn of Pakistan 1906-1948. The objective of this 37-episode photo feature (which featured in Dawn, DawnNews and Dawn.com) was to engage a new generation of readers by bringing to life and documenting the story of the subcontinent’s freedom movement through the full-page display of rare, iconic and sometimes never seen before photographs.
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Aslam Azhar was appointed as Chairman and Managing Director by President Ayub Khan. Similar to Philips, Pilot TV’s programming was limited to three hours a day, six days a week (Mondays were a holiday) and TV sets were set up in public sites. In fact, such was the interest that their presence resulted in traffic jams that were so chaotic that some of the sets had to be removed.
In Pakistan, this change in paradigm found concrete expression in the emergence of the affiliated agency and the entry of the media buying houses. Formerly, clients appointed a single agency to handle their entire brand portfolio. Now, the portfolios were split among agencies and the brand became the sole client.
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In fact, despite the fact that the BBC, Voice of America, All India Radio and Radio Ceylon were available to listeners, Radio Pakistan was able to hold its own. To produce high-quality programming, Radio Pakistan placed a great deal of emphasis on training their actors, producers, directors and technicians. To this end, a training institute was established as early as 1949.
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Clark and Owens worked together for years, but they had very different feelings about "Hee Haw." Owens, who left the show in 1986, later referred to it as a "cartoon donkey," one he endured for "that big paycheck." Clark told the Associated Press in 2004 that "Hee Haw" was like a family reunion.
Now that the entertainment channels have achieved a level of success with local content, the challenge is to keep viewers hooked, to secure the all-important ratings. Yet, fulfilling this demand requires a fine balance in terms of quantity, diversity and quality.
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