Here’s Everything Wrong With My $500 Postal Jeep Off-Road Project | Flat Torx Self Drilling Screw

No, it says right on the page the multi-point inserts are so you don’t have to make as many passes.

But unless you choose wood shingles with a Class A fire rating, these shingles aren’t fit for extremely hot and dry or wet climates, as they’re vulnerable to fire, rot, hail, and termites—any of which can cause them to chip, crack, or split. Installing them in the Great Plains is your best bet so long as the fire code in your region doesn’t forbid their installation.

Chugtai worked with an airbrush and was known for his fine, idealised images. He was equally criticised by fellow artists for this refinement and for not stylistically distinguishing male and female characters. Azad was considered the more realistic artist with his emotive brush strokes that better depicted the action and mood of the film and for showing male actors with more weather-beaten skin. S. Khan modernised Azad’s style, and with his son, Sarfaraz Iqbal or S. Iqbal, added more contemporary compositions and lettering. Their work came to define film posters of the sixties and seventies – Bano, Jehangira, Aashi, Sita Maryam Margaret (and even the whacky) Hunterwali. S. Iqbal adapted to photo collages and then compositions for panaflex, working right until his death in 2017 – the last of the great poster artists. The father-and-son team defined the public image of Waheed Murad, Rani, Neelo, Nadeem, Mohammed Ali, Shamim Ara, Babra Sharif, Badar Munir and in more recent times, Rahi, Shaan and Saima. Film-maker, Farjad Nabi documented S. Iqbal painting a poster of the film Rashoman for an exhibition of film posters in Japan, ‘Lollywood! Pakistani Film Posters’ (2006).

Installing friction-drilling screws “is not like traditional screwdriving applications, where the fastener is a commodity item,” says Baeumler. “When you specify these fasteners for a project, you need to consider the equipment at the same time, even at the design stage.”

4. Innovation. Innovation in form and content with the advent of the internet and digital media. Thanks to social media, a single individual has become an all-in-one; content-originator, content distributor, content consumer, content commentator. Millions of Pakistanis are simultaneously advertisers, media and target audiences.

The introduction of colour in 1976 was a major boom driver for TV commercials. Within a few years, an average of six hours of programming was aired, two of which were in colour. As far as penetration was concerned, in 1964 it amounted to a mere nine percent; by 1978 it reached 72.5% with at least a million sets in place, making TV a truly ‘mass medium’.

The PHT-6000 series ultrasonic, non-destructive, hand-held hardness tester measures hardness on small, large, flat, round, thin, or thick workpieces and also checks for coating hardness.

The Congress theme stressed context rather than only a profession’s narcissistic interests: ‘Advertising and National Development: Challenge and Response’.

The brand was promoted with captions such as ‘Splendour of the East’ and ‘Knowledge and Wisdom’ (due to its rich history). In the early eighties, Rooh Afza positioned itself as a pioneer, with the caption ‘Every New Syrup Is Red but Every Red Syrup Is Not Rooh Afza’. In this way, Rooh Afza became the pioneer of the red syrup category in Pakistan and paved the way for many other ‘me too’ products.

In the art gallery of the Al-Hamra, an exhibition has been mounted, displaying print advertising and design. ADEX is divided into two sections: the first consisting of stands where participating organisations are displaying their products and services; the second is the advertising exhibition. Film commercials will be shown in the auditorium as part of the Congress programme.

The Magtite 2000 fastener has a trilobular shaft with radiused threads instead of angled ones. Photo courtesy Research Engineering & Manufacturing Inc.

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